UNSOUND METHODS INTERVIEW (ICD Stumm 159)
Release Date: |
1997 |
Company: |
Mute Records Limited |
Catalogue Number: |
ICD Stumm 159 |
Format: |
Promotional CD |
Tracks:
01: |
ANSWER 01 0.56 |
02: |
ANSWER 02 0.26 |
03: |
ANSWER 03 0.59 |
04: |
ANSWER 04 0.37 |
05: |
ANSWER 05 0.37 |
06: |
ANSWER 06 0.54 |
07: |
ANSWER 07 0.43 |
08: |
ANSWER 08 0.58 |
09: |
ANSWER 09 0.56 |
10: |
ANSWER 10 0.39 |
11: |
ANSWER 11 0.28 |
12: |
ANSWER 12 0.21 |
13: |
ANSWER 13 2.16 |
14: |
ANSWER 14 0.49 |
15: |
ANSWER 15 1.33 |
16: |
ANSWER 16 0.39 |
17: |
ANSWER 17 0.36 |
18: |
ANSWER 18 0.56 |
19: |
ANSWER 19 0.55 |
20: |
ANSWER 20 1.03 |
21: |
ANSWER 21 0.22 |
22: |
ANSWER 22 0.40 |
23: |
ANSWER 23 0.29 |
24: |
ANSWER 24 0.31 |
Notes: the booklet contains the corresponding 24 questions.
The answers were edited out of the interview with Pip Dann from the UNSOUND METHODS EPK.
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01: Firstly, can you tell us how the Recoil project came about?
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02: So perhaps it wouldn't have become a full time thing if you hadn't left Depeche Mode?
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03: So why did you leave Depeche Mode then?
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04: How would you compare the working methods you employ now to how you've worked in the past?
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05: What did you consider were the pros and cons of sticking with Recoil?
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06: So, how does the music come together?
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07: Do you ever get surprised by what you come uo with?
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08: What would you say is the overriding mood of your music and where do you think it comes from?
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09: How does this instinctive approach relate to your classical training?
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10: Can you explain the role of your guest vocalists on this project?
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11: So who did you use this time around?
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12: Isn't it a bit risky to use unknown people?
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13: Siobhan Lynch sings on the first single "Drifting", tell us more about her, and other singers.
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14: What exactly were you looking for from each of them, what were the guidelines?
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15: Perhaps you could tell us about some of the themes?
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16: Where did the title come from and how does it relate to the end results?
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17: Do you keep up with the current music scene?
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18: Would you ever consider writing music for a soundtrack?
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19: People say you have a trademark sound. Can you describe what you think it is?
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20: How do you approach the question of sampling. What's your view on it?
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21: Is making music a kind of therapy for you?
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22: How do you plan to promote this project?
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23: Do you have any touring plans?
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24: Finally, what are your own expectations for this record?
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Sleeve designed by House at Intro.
Photography by Merton Gauster.